What would Spyridon Louis think?

Imagine the chance to interview Spyridon Louis, the winner of the men’s marathon in the first modern Olympic games. 

Based on Klein’s (2021) article about the race, I have my questions ready:

Maybe Spyridon Louis would marvel at the adaptation of road races. [Photo credit: MabelAmber/Pixabay]

Had you met Michael Bréal, the French linguist who proposed the marathon for the 1896 Games?

How did a Greek farmer like yourself train for such a long race?

What was the running weather like on that early April afternoon?

Just why did you stop to eat an egg and drink some wine along the route?

What was it like to finish the 24.8-mile trek in the stadium in Athens, Greece—your home country—before 80,000 fans?

How many of the 16 other starters crossed the finish line?

The original third-place finisher was disqualified for getting a ride in a carriage for part of the race. Did you see this happen? 

You were a national hero at age 23 and chose to return to the farm.  Why did you not run another marathon?

And perhaps the most important question: What do you think of the evolution of the marathon, now roughly 26.2 miles, and other competitive races in 2024?

After all, races have adapted in all kinds of ways. 

In his handbook on creative thinking techniques, Michalko (2006) highlighted SCAMPER, a seven-letter acronym to spark ideas.  The “A” in SCAMPER—adaptation—involves the process of becoming familiar with others’ ideas.  As Edison pointed out, “Make it a habit to keep on the lookout for novel and interesting ideas that others have used successfully” (Michalko, p. 84).  Among the things that can be adapted for creative use include processes, contexts, behaviors, and materials.

The adaptation in running races is striking, and it starts with themes.  It is easy to find holiday-based races, including Thanksgiving, Christmas, and Valentine’s Day.  When it comes to food, one of the more creative runs is the Krispy Kreme Challenge, a race that starts on the North Carolina State University campus before moving to the nearest Krispy Kreme where runners try to consume a dozen donuts prior to the final 2.5-mile stretch to the finish line.  The annual event has raised over $2 million for the North Carolina Children’s Hospital since 2004 with over a million donuts being eaten in that time.    

This race is not the only food-themed event.  The Great American Bacon Race, found in various US cities, features a “‘Bacon Bash’ after-party” (what else?) at the end of the 5km course.

Hershey, PA, is known for chocolate, but in the running annals, the adaptation extended to a marathon under water.  The HydroWorx Underwater Marathon was held with runners on underwater treadmills.   

Adaptation in running is also seen in team-based events.  Race enthusiasts can watch the Providence Hood & Portland to Coast Relays, as teams of 8-12 runners from throughout the world make their collective way to the Oregon coast every August. 

Finally, a race that must be ranked high in creativity is the Course des Cafés, a competition in Paris that celebrates the tradition and pride in café service dating back to the 17th century (Treisman, 2024).  

Roughly 200 people, mostly restaurant waiters, have the goal of walking (not running) 1.2 miles as quickly as possible while keeping a tray with a croissant, a glass of water, and a cup of coffee intact.  Sneakers were permitted in the 2024 event, and an apron was required.  Only one hand at a time could be used, and participants’ trays were judged at the finish line.  An empty glass, for instance, resulted in a one-minute penalty.  Many of them took 13-20 minutes to finish (Breeden, 2024). 

Past races had a more formal dress attire with dress shoes being required.  Some included the participants carrying wine, not water, on their trays, and a longer route that was over five miles in length (Breeden, 2024). 

The 2024 race, held just months before the summer Olympic Games in the same city, exemplifies the innovative twists in racing.  One can only wonder what Spyridon Louis would think.

References:

Breeden, A. (2024, March 24).  Ready, set, garçon! Paris waiters race as storied contest returns.  The New York Times. https://www.nytimes.com/2024/03/24/world/europe/paris-waiters-race.html

Galloway, L. (2013, March 7). High-heel racing for a cause.  BBC.  https://www.bbc.com/travel/article/20130304-high-heel-racing-for-a-cause

Klein, C. (2021, July 13). The Olympic marathon’s outlandish early history.  History. https://www.history.com/news/the-olympic-marathons-outlandish-early-history

Michalko, M. (2006).  Thinkertoys:  A handbook of creative-thinking techniques. Ten Speed Press. 

Treisman, R. (2024, March 24).  Hurry up and wait: Servers speed-walk through Paris, reviving a century-old race.  NPR.  https://www.npr.org/2024/03/25/1240667647/paris-waiters-race-tradition-cafe-olympics

What does recycling have to do with creativity?

Creativity=recycling.

Really? 

One of my daily household duties is to empty a small recycling bin in our kitchen into a large recycling can in our garage.  A peek into the recycling can will reveal a host of seemingly nonrelated things: water bottles, junk mail, used cans of garbanzo beans, and that Yellow Pages book from 15 years ago that finally made its way out of the house. 

The EPA estimates that Americans recycle 66 million tons of things annually (Albeck-Ripka, 2018).

“So what does this have to do with creativity?” you wonder. 

Dr. Paul Silvia, a professor in the Department of Psychology at the University of Carolina at Greensboro who has done a great deal of research on creativity, wrote the following: “Creativity is a sort of cognitive alchemy.  We know things–experiences, ideas, images, words, concepts–and somehow from what is old and known becomes something new” (2018, p. 298). 

Recycling?

When it comes to creativity, “new” ideas may actually be old ideas—sometimes really old ideas–put together in a way that comes out as innovative or ground-breaking or rejuvenating.   F example, one of the stories of the “invention” of the ice cream cone dates back to the 1904 World’s Fair in St. Louis when Ernest Hamwi was selling a wafer dessert next to an ice cream stand.  He suggested that the two things—the wafer and the ice cream—meet, and Hamwi found himself named as the official creator by the International Association of Ice Cream Manufacturers in the 1950s (Fabry, 2016).

Notice how the headline this week of something creative is representative of “other” ideas combined in some way.  That recycling bin can hold some treasures to the future of creativity. 

Albeck-Ripka, L. (2018, May 29). Your recycling gets recycled, right? Maybe, or maybe not.  The New York Timeshttps://www.nytimes.com/2018/05/29/climate/recycling-landfills-plastic-papers.html

Fabry, M. (2016, April 12). The murky history of the ice cream cone. Time. https://time.com/4288576/ice-cream-cone-history/

Silvia, P. J. (2018). Creativity is undefinable, controllable, and everywhere. In R.J Sternberg & J.C. Kaufman (Eds.), The nature of human creativity (pp. 291-301). Cambridge University Press.

The beauty of starting small

Spotted on the roof of my car on an early summer morning…

Consider the beauty and richness of creativity.  Consider how creativity surrounds us each day, often without our even giving it a second thought.  Consider the thinking that permeated these items, not only as they were developed and launched, but also in their modifications after being “invented.”

As I type, I’m looking at a coffee mug, a clock, and a pair of scissors.   Take any of those items and consider their brilliance.  Someone long ago found a better way to drink liquids, and from there the space may have changed, the handle was added, and the size and materials were modified.  Perhaps clocks “replaced” sundials and other ways to measure time, adding a dimension of being able to record and schedule time.  We have watches, digital clocks, alarm clocks, and cuckoo clocks.  From Big Ben in London to pocket watches, timekeeping spans sizes and places (and timezones!). 

Finally, there is a simple pair of scissors.  Remember that age when you weren’t allowed to use scissors…and then how one day you could use them for the first time by yourself?  At that point, the amazing quality of something so simple probably didn’t resonate with you.  (I know it didn’t with me.)  Now notice their design, their shape, their size, and their color.  Each pair has the same purpose, yet each has its own distinctive quality and benefit. 

The simplicity of creativity is quite striking to me.  I think that it may be easy to focus on the greater whole without realizing that the smaller parts are where that whole originated. 

Creativity starts small.  Keeping this in mind is one way to begin the process.